Saturday, June 25, 2016

Involvement in Reading and Emotion

Sometimes when reading I find myself laughing out loud, not often, not as often as I've suddenly felt tears dampening my cheeks, or felt my stomach tied in knows from overwhelming tension, or my mind reeling in curiosity. When it happens, I know the story was well worth the read.

I love reading a good story, but each 'good' story reaches me on a different level. Sometimes it's because I immediately identify with a character, or the character's untenable situation. Sometimes it's because the story line makes me think, or whet's my curiosity, or because the story takes me somewhere in time or space I've never been. The major link tying these together is the emotional one, which often involves bonding with a character. With the characters who catch my mind, I laugh, cry, feel their pain, their doubts, their regrets, and breath with deep satisfaction at their triumphs. These are the stories I remember best because of that emotional identification.

I don't mean to imply that I want only what would be classified as a morally impeccable character. The main characters I like can begin as troubled or injured people, but their road to redemption must be lined with believable problems and set backs. There are a few situations where I have trouble suspending my disbelief to get into the story.

I'm reading a book right now where the hero leaves me ambivalent. Yes, there is a reason for his immoral behavior: survival in the mean streets of  one of America's cities. And yes, he grew up with a horribly abusive parent. He has finally caused the death of someone whom he considered a friend, and thinks his own death is near until the unobtainable women he loves arrives.

Sorry, I'm having a real hard time bonding with this character or the heroine who will forgive him anything. While I know he is going to try and redeem himself for this woman, I don't buy it. Not yet, at least. Maybe the author will surprise me.

Stories about  guys or gals in tough times can be very emotional; however, I also believe continual criminal or cruel behavior changes the tenor of a mind making it impossible to change without colossal cost of some kind. Nor can I identify with a character who is just too good to be true; I don't believe them. I guess what I'm saying is the more human the character in respects to how I view people, the more real they feel, the more emotionally involved I become in their story. Without that, for me, there is no reason to read.

So I know the bounds of my emotional relationship with characters, and while I can make that tie and enjoy it, it does have its limits.

Visit the following authors and read their opinions on the topic!

Skye Taylor
Anne Stenhouse 
Marci Baun 
Heather Haven
Victoria Chatham
Dr. Bob Rich
Diane Bator
Beverley Bateman
Rachael Kosinski
Connie Vines 
Margaret Fieland

Sunday, June 5, 2016

You can pre-order Dragoons' Journey for $2.99 during the month of June! Take advantage of the offer while you can.

A snippet about the villain:

Rictor’s instructions required him to finish the task begun so long ago: destroy Habitat Lakeesh. It must die for Colonial Pact success. It had been the easiest habitat to infiltrate. The former Lord Ado had been a pathologically greedy, narcissistic sociopath, easily bought and manipulated, which had made the job easier. Since Hilliard had also protected Rictor from discovery as another Colonial Pact advisor, albeit for an impressive sum, Rictor felt some small obligation for Hilliard’s welfare.